Dear Terrorists #WeStandTogether

For Manchester x

Dear Terrorists,

You can never win.
Your hate, anger, rage against us is in vain,
You try and then you try again.
But each time we come back stronger and more humane.

Your acts are nothing more than cowardly deeds,
The aim – to plant the hatred seeds of doubts and fears,
Reduce the country and the people to tears.
But every time you rear your ugly heads,
We meet you face on with love instead, and hope and togetherness.
Class, religion and politics get cast aside,
People of all faiths, religions and beliefs side-by-side,
Together we come and in plain sight we stand, not hide,

We do not cower and we will not fear you,
We are humanity, we are one, we belong to something much bigger than you.
And what you fail to grasp,
And what you fail to see,
Is your actions bring out the greatest and best of humanity,
A stronger, more loving society.

Your terror and fear are short lived,
We respond with the love we all have to give.
From the angel of Manchester rescuing fifty kids,
To everyday folk offering up their beds.
Taxi drivers giving rides for free,
Thousands giving blood and hospitality.
All religions, ages, races and creeds.
To the man without a house or home,
Who lept to his feet and raced into danger,
Pulled people out, risked his lives for strangers.
For someone who has nothing to give so much, so freely,
And expect nothing back because “it’s just what anyone would have done”.
Emergency services, our police, paramedics, firefighters and nurses,
To venue staff, who reacted with calm and saved many more people from coming to harm.
Small random acts of kindness – hotels throwing open their doors,
People offering food and sandwiches,
Buskers playing music & singing songs of hope.

The aftermath, a vigil attended by thousands in solidarity,
United as one, a whole,
And that’s the reality.
Although we shed tears, come together and grieve,
And our love and thoughts go to all of the families,
You can never accomplish what you hope to achieve.
Their memories live on, in our hearts, spirits and minds they will never leave.
The fear you seek to create bonds us closer and stronger.
And the one thing we all know to be true,
Our lives will not stop just because of you.
We rise above hate, above racism, religion, above blame.
We see you for what you are and refuse to call you by name.

Dear Terrorists,
You have not won, for tonight the world is united and we all stand as one.

  

  

Collage

   

Have a look at some of the amazing acts of kindness happening in and around Manchester today:

http://bzfd.it/2rdwkpl

The Theatre Bath Bus and the Creative Process (or YES! We bloody did it!)

The Theatre Bus has launched – wahoo!

I’m feeling incredibly happy, proud and thankful for everyone’s hard work and support. Particularly to Zoe and the Theatre Bus team for putting up with my mad ideas for the last year. But also to everyone who has donated money – however much and to everyone who has donated their time, commented on ideas on Facebook or supported the project in any way. The bus is for you. It’s not for me and never has been. This is about a creative space that can be used by the whole community and can benefit so many different people in so many inspirational different ways. We have merely provided you with a blank canvas to use; how you choose to fill it is up to you! I cannot wait to see what you all come up with and supporting your creative projects going forwards.

 

I’ve had a lot of people asking me how I do the things that I do and why so I thought I’d write a brief blog about my creative process and what works best for me. Different people work in different ways and if the arts teach us anything its that we all have unique individual strengths and weaknesses. So what works for me may not necessarily work for you and vice-versa.

1. Come up with an idea

“From small acorns grow mighty oaks”

The first thing is just come up with an idea. It does not have to be groundbreaking, original or unique. It doesn’t have to be something on a epic scale. Just an idea. Any idea. Even if it’s just the faint shimmer of an idea parked on your periphery and you have no idea what form it will eventually take. Grab hold of it. Write it down. Leave it in the desk drawer for a week and come back to it. Discuss it with close friends or colleagues. Find an idea that works for you and begin thinking about where it may go.

 

2. Expand Your Idea

Brainstorm or write notes. Expand on your original idea. Use keywords or word association to expand your thoughts about the idea. Your idea will change. It will evolve. Don’t fight it. Embrace it. Don’t become so fixed on one final outcome that you miss other potential opportunities. See the bigger picture. Evolve with your idea and see where it leads.

 

3. How Will You Make Your Idea A Reality?

So you have the idea. You have played with it and expanded it. You probably have a whole load of other ideas now. How do you bring it into fruition? Think about the end goal. Why are you doing this? What is your driving force behind it? What do you wish to achieve from doing it? What is your purpose? What does your idea look like in its fullest form? Visualise the end product. Once you have that clear you can begin to move backwards from there. So for me the end goal was a multi-purpose mobile performance space situated inside a bus. That was the vision. I then looked backwards from there to see what steps I would need to take to make that happen.

In my case it looked something like this:

  • END GOAL – Mobile Performance space in a bus
  • Need a bus – where do you buy a bus? How much will it cost?
  • Need someone to convert the bus – who does bus conversions locally?
  • Need to raise money to make that happen – who will fund it? How? Why?
  • Need a team with different sets of skills – who? why?
  • Need help from a designer
  • Need a timescale – how long will this take?
  • Technical equipment – what will the bus need to be able to operate?
  • Paperwork and legislation – what will we need in place? Who will insure it?
  • Where will the bus be able to go?
  • Who will use it? What is its goal?

There were several hundred more bullet points to add to this list but already you can see how once you have an idea you can work backwards and create yourself steps. Each step raises more questions. More questions lead to more knowledge and more answers. Question EVERYTHING. Do not stop questioning. The more you question the more different ideas you’ll come up with and solutions you’ll find.

 

4. So I Now Have An Idea And A Massive To Do List – Help I’m Overwhelmed & A Tiny Bit Scared!

Good. If you’re not scared your project or idea is not ambitious enough. You’re being too safe and playing within your comfort zone. It is absolutely okay to be terrified. It’s okay to be overwhelmed. And it’s okay to not know where to start and what to do first.

Create yourself a to-do list. Actually create yourself several. We broke the project up into different sections and had to-do lists for each of them. Breaking the project down into manageable sections allows you to really focus on the details and not feel completely overwhelmed with looking at the project as one whole thing.

Our sections looked something like this:

  • Conversion work – stage one – emptying the bus
  • Conversion work – stage two – creating the wooden structures within the bus
  • Conversion work – stage three – electrics, cabling and distribution around the bus
  • Conversion work – stage four – painting the inside of the bus
  • Conversion work – stage five – Curtains, Seating and other fixutres
  • Conversion work – stage six – Technical equipment
  • Paperwork
  • Fundraising
  • Materials and sourcing
  • Research and ideas
  • Launch party
  • Marketing

There were more sections but this gives you an idea. Under each of these headings we then could look in more detail at what we needed to achieve each thing. So for example the first stage – emptying the bus. We knew that we needed to take out the chairs. All the metal vertical poles. Barriers around the front wheel arches. Old fluorescent lighting. Old display boards in the front, back and sides. Once all of that was done we then knew we could move on to the other sections.

A lot of these sections over-lapped and were running concurrently at the same time. But it became more manageable because we had a plan in place that we could follow.

 

5. My Plan Has Gone Out Of The Window What Do I Do?

Sit and cry!!!

No.

Projects evolve. They change all the time. You are constantly challenged by different things that come up and surprise you. No project ever goes 100% smoothly. That’s a fact. What you have to do is be able to adapt to the changes and challenges when they arise in a positive way. Don’t focus on the problem. If you focus on the problem it won’t go away. Focus on the solution. Or better still focus on different solutions. Rome was not built in a day. Which is just as well as the Roman’s would have all been knackered and wouldn’t have been able to enjoy all they had achieved. There is always a way forwards. Don’t become so obsessed with something having to be a particular way that you allow it to stunt and damage your end vision. Be open to change, embrace it and see it as a natural evolution of you idea.

 

6. Ask For Help & Share With Others

This is a biggy. Do not try and do everything yourself. You will burn out and the project will probably whither and die or will not live up to expectations. Two heads are definitely better than one (and four or five is an explosion of creativity). Be open to others suggestions and advice. A fresh pair of eyes on an idea can bring solutions that you would have never dreamed of. It can also help identify problems before they crop up. When you’re passionate about a project you become very close to it, attached and somewhat protective. Don’t be scared to let others in. Step out of your comfort zone and collaborate. Use other people’s knowledge and experience and fuse it with your own.

 

The Theatre Bus has changed constantly. In fact it’s still changing now even after the launch we already have a list of things we can do to make it better. To improve upon what we have already done. This has come from seeing the bus in action at the launch and also from the suggestions and ideas of those who were present. Their feedback, both positive and negative has been a massive help to us and will allow us to move the project onto the next level.

 

7. People Tell Me It’s A Bad Idea And It Will Never Work

You always get negative people with small minds who have the creative ambition of an overripe peach and if you leave them in the sun they start sprouting little hairs and grow moldy.

There will always be negative people.

There will always be those who doubt you.

But you know what – they don’t matter. Not an iota. Who knows why they like to put others down or rubbish their ideas. The fact is they exist. Acknowledge that fact and move swiftly on. Focus on the people who do believe in what you are doing. Focus back on why you are doing the project in the first place. Don’t let them suck the life out of your creativity and ambition. Believe in yourself and others will believe in you too. When met with negativity always go back to your idea, find that inspiration, find that drive and hug it a little tighter.

 

8. Just Do It

Seriously. Stop procrastinating. Stop reading this blog looking for answers you already know and have inside you. Get off your arse and start work. No, put Facebook away… no more posts of hilarious cats or cute dogs… No… Twitter will still be there in a few hours… Put that phone down… Pull out your notebook and just get on with it. There never will be a right time or a good time except right now. Just get on with it. If you want my advice. Turn off the electronics. A notepad and pen (or pencil) are your best friends. Get away from distractions. Allow yourself the time to work. And then just do it. It will only happen if you make it happen. Do not wait for anyone’s permission but your own. Allow yourself the time and get on with it.

Happy creating!

xXx

 

Why Save The Arts? Is Bath Council about to kill the goose that lays its golden eggs?

I wrote this as a very ranty blog post last night – which isn’t necessarily useful for you but it certainly helped me to put things in perspective. Below is the new version which I hope will be much more useful and productive.

Bath and North East Somerset Council have proposed to cut all arts grants as part of their bid to save £49 million over the next few years. The arts and the library were  at the top of the chopping block, whilst foolhardy schemes to decimate a local meadow and build a Park and Ride (against all the evidence to the contrary) to the cost of £11 million pounds remain a priority. And this is just the first year of cuts – much worse is yet to come.

Currently the arts budget funds a wide range of programmes. Their focus shifted to the outlying areas in Bath and those that perhaps don’t experience as much culture as people living in the central area.  Those areas that have just had brilliant programmes of arts will end up with next to nothing. At least there may still be some life left in the city centre but the affects for the outlying areas could be devastating. Other organisations that receive funding include Bath Festivals who run (or perhaps I should say “ran”) the International Music Festival, Literature Festival and Children’s Literature festival. Recently it was announced that two of those festivals would combine to create The Bath Festival. How will the cuts affect them? In honesty they, like many larger organisations have chosen not to speak out against the cuts so far – so we don’t know how this effects them.

The trouble is if your Local Authority doesn’t show any faith in the arts then why should anybody else? It sends out a very negative and damaging message to our audiences and to people living in the locality of arts organisations. We don’t want to become a city that says “We used to have that and it was great. But now all you can do to entertain yourself is get into debt at the shiny new white elephant, I mean casino! And why not park on a field first whilst you’re at it?”

As “artists” (I hate that as a buzzword!) we understand the importance of funding the arts. What we don’t understand effectively is how to convey that message to everyone else.

Today I was sent a brilliant documentary about arts cuts entitled “Making the Cut” which was created shortly after the Brewhouse Theatre in Taunton closed its doors. It focuses a lot on Somerset where they had 100% arts cuts, but it makes the case for the arts in a brilliant way looking at all the different effects to local areas. If you haven’t seen it I really suggest you give it a watch.

I could quite happily sit here and reel-off statistics to you about the economic benefit of the arts. But you will probably stop reading and fall asleep. So let’s tackle this in a different way.

I’m going to tell you a story…

Meet Emily!

(Come on now say hello, don’t be shy!).

Now Emily runs a small arts organisation in Bath. She is currently working on a theatre production using local arts professionals and members of the community. On her team are a director, actors, set designer, lighting designer, stage manager, writer and musicians. Emily has to pay all of them. Out of their fees they all pay tax and national insurance which goes back into the treasury.

Now because Emily is local she needs a place to rehearse so Emily sources a rehearsal space. This happens to be at a small community hall. She pays rent on that rehearsal space which helps those running it to get income. They rehearse for two weeks.

Some of the professionals don’t live locally so they need somewhere to stay. So they book accommodation with local B&Bs. Some of them drive to rehearsals so they pay for parking locally.

During that rehearsal period Emily and her team have regular refreshment breaks. They use the local cafe for teas, coffees and snacks. During lunchtime they use a local pub and eat food. After rehearsals they all pop into a pub for a few drinks.

The show itself requires a set and props to be made. They book and pay for a workshop to build the set and props. So Emily’s set designer Bob and Stage Manager Laura get on the phone and buy timber from a local timber merchant. Laura also needs to find props and what’s the best place to find props? Charity shops. So off she pops to visit all the local charity shops and buy some props.

The lighting designer is the next one, off on a mission. They design the lighting for the show and realise that the theatre doesn’t have all the lights needed for the production. So they phone up a local hire company and book some lanterns for hire.

Now the show needs advertising. So they get a local designer to create posters and flyers which are then printed by the local printing company and sponsored by local businesses with their logos and support shown on them.

Finally it’s show week. Emily pays for the hire of the theatre or does a box office split with them. The theatre employs front of house staff, box office staff, technical staff etc.

The show opens and members of the public come along and see the show. They travel to the theatre either by public transport or by car (again they pay for parking). They spend money on tickets (again the VAT on these goes back to the treasury) and money on refreshments at the theatre bar (which just so happens to use a local brewery to source it’s beverages from). Maybe they purchase a programme. Maybe they make an evening of it and arrive early to have a meal at a local restaurant. After the show they pop to a local pub for a final drink before getting a taxi home.

The show week ends and another company moves in and the process begins again.

 

This is just one slightly exaggerated example from one theatre company. Removing funding from arts organisations cause large ripples throughout the wider economy. If you stop funding a large number of them at once these ripples become much more obvious and the waves reach further. It’s damaging to everyone – not just “artists”.

Bath could become a culture vacuum. Where art isn’t for everyone but only for those who can afford it. If you cut out all the smaller companies and venues you are left with something that is not accessible to everybody.

A cultural event draws people to it. For example the Bath Carnival. People will come out just to watch the beautiful colours and spectacular dancing. It’s visual and it attracts attention. But by attracting that attention, by engaging with the community and tourists alike it creates opportunities for businesses around the event to benefit from it. Draw people in with the arts and culture and the whole city benefits.

For every £1 invested in the arts it brings back between £2 and £6 into the local economy.

That is huge!

 

Empty Shops

We currently have a lot of empty shops in Bath that quite frankly make the place look run down and like it’s dying. Which it will if the rates on the shops imposed by the Council keep forcing small businesses out. Why not allow local arts organisations to take over the spaces temporarily and generate at least some income from these disused spaces?

 

Arts Council Grants

A lot of smaller organisations use the arts grants to enable them to match fund larger funding bids to organisations like the Arts Council England (generally you must have match funding of 10% from somewhere else). If there is no investment from the Local Authority there is less chance of getting investment from the Arts Council for projects. Although the Arts Council try to remain positive in their response to the current situation it doesn’t take a rocket scientist to figure out that they will be more inclined to support areas where their Local Authorities engage with them and support local artists.

 

Wellbeing

The arts benefit people’s wellbeing. They bring communities together. They promote diversity. They can help tackle social issues. They can rehabilitate people. They teach empathy – the term emphatic arts is being banded around a lot at the moment.

 

Creating Good Art

Even taking it back to the basics – we just want to create good art that everyone can experience and that this enriches the city culturally.

 

Students

We are also home to Bath Spa University which is an artistic university. Will students want to come and study in a city where there is no support for the arts? It won’t matter how good the courses may be (and they are very good, by the way). If you have a choice of going somewhere that you will be supported through your development by a wide range of external cultural experiences or go to a city where the arts are dying and it’s becoming a living museum – which would you choose? Not to mention what happens when these students graduate? If there is no infrastructure there to support them they will take their creativity elsewhere. We should be supporting these artists. They want the opportunity to perform and give back to a city that they have become familiar with. Now they are moving to Bristol or other places because as an “artist” there is very little chance of working here.

 

When the funding is gone we stand very little chance of every getting it back. Looking at some of our neighbouring counties the effects of this are far-reaching and devastating. I’ve used the term before but Bath could become a graveyard for the arts.

 

This all sounds a bit doom and gloom doesn’t it?

 

Well let me assure you we’re not out yet – not by a long shot. There is an ever-increasing number of us that see the bigger picture and will carry on fighting and battling for an industry that we believe in. The support is growing hourly at the moment. And you can all help too!

 

Please sign and share the petition:

https://www.change.org/p/cllr-tim-warren-scrap-bath-and-north-east-somerset-100-arts-cuts

 

ThunderClap

We’ve set up a ThunderClap to go out on the day of the decision. A ThunderClap is basically a scheduled post that goes out on a set date and time. It is the same post from multiple accounts which helps create a lot of noise and draw attention to a particular subject. Please sign up and share our ThunderClap as well:

https://www.thunderclap.it/projects/52323-scrap-bath-arts-cuts

 

Your Stories

We need your stories of how the arts have benefitted you personally. We need to show all of the benefits of the arts to everyone in the community and from every angle. You can either leave that story as a comment on the petition or email it over to us: info@theatrebath.co.uk

 

We need to stand together on this and fight as one and we need to make our voices heard. If we don’t then the future of arts in Bath is looking bleak and the knock-on effects will eventually filter through to all organisations – even those who think they are sitting comfortably at the moment. It will eventually affect you as well. It’s not about one organisation, or one group, it’s about Bath as a community of culture and creativity.

 

Don’t let B&NES kill the goose that lays its golden eggs.

 
All thoughts are Luke’s own and do not represent the views of any organisation he may be associated with.

#DandD12 – Final Thoughts & The Power of the Open Space

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It’s taken me a day to process Devoted and Disgruntled 12 and I’m not sure the enormity of it all has completely sunk in yet. At the end of day two I was feeling inspired but I had no idea how emotionally powerful it would feel by the end of day three. At some point I’ll try and write the notes for the two sessions I attended as well.

It’s really hard to put into words and I’m not sure they’ll do it justice but I’m going to try.

There’s something amazingly empowering about being in a room full of like-minded people. All passionate. All engaged. All wanting the best for the industry that they love. All talking about making the future better. Creating possibilities instead of obstacles. Opening doors.

The space, and the openness of the circle or perhaps circles as when one is broken many others form, break down the normal boundaries and titles than confine us in our everyday roles. It’s a space without job titles and hierarchy. A space where anything can happen, anything can be discussed and everybody has an equal voice. Where artistic directors can sit opposite new graduates and talk. Where actors and makers can share ideas. Where established professionals can impart knowledge to those breaking into the industry.

At the end of three days of intense discussion and inspiration a room full of strangers felt like old friends.

Before D&D I had lost a bit of my spark. The state of the world was playing heavily on my mind and the future looked very uncertain. But now I feel inspired, reinvigorated, empowered, connected and ready to face anything.

I felt high on the energy and creativity, the ideas and inspiration and completely buzzing from all of the thoughts racing through my mind.

img_1529

At the closing circle I choked up. I had an overwhelming sense of euphoria. Empowerment. And a humbleness and thankfulness that I had the opportunity to be in the room with so many inspirational and generous people. To fill my mind with the richness of their conversation, be inspired by their stories and journeys and hope that together we can make a difference and move forwards.

I’m not sure I made much sense to anyone I talked to when the circle closed. All the ideas came babbling out of my mouth at a hundred miles an hour. I couldn’t sit still. I was dazed. Exhausted but energised at the same time. I felt like I was radiating a glow not too dissimilar to the orange light of that we had gotten accustomed to over the last few days.

The closing didn’t feel like an ending. It just felt like a “see you later”. Like these ideas and discussions weren’t over yet. That the next chapters were still waiting to be written. And I hope that all the things we discussed and all the action we committed to take bear fruit and that many wonderful things come from the last three days.

Thank you to all those I knew before and who travelled with me, thank you to those of you I met along the way and to all those I didn’t get to chat to – thank you as well. Thank you to Flo for the hugs when I was a bag of emotions at the end of the circle and thank you to Improbable and the organisers for enabling this to happen. What happened was the only thing that could have happened.

Here’s to the future.

x

 

Contact / Social Media:

Personal Twitter: @LukeJohnEmmett    –   Website: www.lukejohnemmett.co.uk

Theatre Bath @TheatreBath    –   Facebook: www.facebook.com/theatrebath

Theatre Bath Bus: @TheatreBus

 

Email: info@theatrebath.co.uk    –   mail@lukejohnemmett.co.uk

#DandD12 – Day Two – Empty Shops, Female Leadership and other bits

Another empowering day of intelligent, thought-provoking open discussion… and a poetry reciting badger – only at D&D!

 

Session 5 – Empty Shop Theatre

A brilliant discussion which led to lots of easily obtainable action points. Lots of links to discussions that happened yesterday; particularly to the session entitled: Bristolians/city-dwellers: How Can We Share More With The Regions That Surround Us? (Link to the report from that session here: http://www.devotedanddisgruntled.com/events/devoted-disgruntled-12/reports/bristolianscity-dwellers-how-can-we-share-more-wit/

 

Key Action points:

  • Help create a website which contains user-generated content about setting up and running pop-up venues.
  • Establish a network to help each other and to tour work between venues.

 

Useful organisations/Downloads:

The ABTT – Association of British Theatre Technicians

http://www.abtt.org.uk/shop/books/

Free guide to non-conventional theatre spaces
http://www.abtt.org.uk/wp-content/uploads/2016/08/Non-Conventional-Theatre-Spaces-17-Aug-2017.pdf

Free safety guide for small venues: http://www.rusafe.org.uk/#download

ISAN – International Street Artists Network

Edinburgh Fringe Festival have a lot of documentation about setting up temporary venues, licensing, health and safety etc

Quotes/Provocations/Inspirations:

  • Learn council speak – speak to Local Authorities using terminology they understand – find language that’s not arts language i.e. Placemaker Activation
  • Realise that it’s not about always climbing up the ladder and heading for a big producing house – remember that we should be proud to produce good small scale work and that we should accept our work is good and not make it into something it’s not just because its the “normal” way of doing things
  • Take pride in the work that you do
  • Create relationships with property developers, town centre teams and councils
  • Don’t be put off by people telling you it won’t work
  • Revitalise thinking about business use that highlights the work
  • Holding more events across an area on one day attract more audiences than running different events over different days
  • Work with an experienced project manager
  • Social responsibility – Look at the larger impact of what you’re doing and understand the positive and negative connotations of doing this i.e. arts can help revitalise a city centre – but inevitably once that area is revitalised there is seen to be no longer a need for the art that helped it get there in the first place. Think about how the success of revitalising a city centre can impact on poorer areas of the city.
  • Licensing: No licence unless selling alcohol and under 500 people. Toilets and fire exits denote audience sizes. PRS music licensing. Insurance.

 

Session 6 – Female Leaders In The Arts: A Norm Not A Niche

I joined this session part of the way through after butterflying around for a bit and catching snatches of other conversations along the way. To begin with I was the only male there which was daunting as a lot of the talk was about men – but also a really great experience for once to be in the minority. I purposely stayed at the edge of the circle for this one – mainly because I just wanted to listen and learn and quite frankly there are enough white, straight, middle class men talking all the time and making their voices heard and this session was not about me and my voice. It was an opportunity to listen and learn and see what I can do to help the situation and to really discover how the gender divide has effected women in the arts and in society in general. And it was incredibly eye-opening. Thank you to those present for being so open and honest and allowing me to observe. I’ve made a few notes that people raised during this conversation and I hope out of context they make sense (please do suggest better ways of wording things if they do not!).

Notes/Key Points/Quotes

  • Self-empowerment – give yourselves permission to go for roles
  • Gate keeping – other women in leadership roles bringing women up through
  • Creating a new model of leadership which isn’t patriarchal
  • Women to take responsibility for how women are viewed in the arts
  • Women talking and advocating for each other – name dropping other women in conversations, twitter, interviews etc
  • Leadership qualities – how to change the male orientated view of leadership so that it better represents women and their qualities
  • Remembering that emotion is the sign of a strong leader and not a weakness
  •  Start empowerment through schools – governing boards – education
  • Need to change the vocabulary that we use – not just in the arts but in everyday life as well
  • Look at the Iceland model for equal rights of the mother
  • Get rid of preconceived and deep rooted ideas of what a mother should be
  • Equal childcare / paternity
  • Why should women have to fight their way back into jobs from the bottom after having children?
  • Change the culture of male language and put an end to questions such as “do you think you can deal with men” being asked in interviews to female only candidates

After this session I sat down and thought about everything I’d heard and discovered and one thing I’m going to do much more of is shouting about and name-checking the brilliant women that I work with or have conversations with. Especially on social media via my personal account and the Theatre Bath account. I’m also going to look very closely and the vocabulary I use and keep taking stock of how I say things to see if I can make them more gender-neutral. This discussion resonated and reverberated long after it finished so thank you again for letting me listen.

 

img_1523Session 7 – Making things easier to understand (or f**k art speak)

I accidentally wandered into this session and I’m so glad I did. Personally I hate jargon. It’s one of my massive bug bears. I work or have worked with a lot of large organisations that are full of acronyms and slang terms and I absolutely loathe it – just call things what they are and quit labelling them all the time. I also hate that we are expected to speak in cultural tongues in order for us to ascend the cultural leadership ladder. No! Just no! Talk proper like… :p

 

Notes/Key Points/Quotes

  • Whatever we say or think – not everyone has internet access – not everyone is computer savvy
  • Why do we rely on past success to sell shows? Are audiences really interested in some obscure production that someone they have never heard of by a company they don’t know has produced sometime in the past? Why not just write good copy about the actual show
  • Some venues use Skype/Facetime to get artists appearing their to talk about their forthcoming work
  • Realise the value of actual contact with artists creating the work
  • Getting people who have been involved with or seen the “product” to advocate for it and help to write the copy for it
  • Reconnect with why you are involved with a company. Why are you involved with doing the work? This shifts the ownership of the work.
  • Use of the word “Artists” – has it become a dirty buzz word? Is there a certain snobbery or elitism associated with the word? Search for a title within the word that represents what it means to us as individuals
  • Have a bullshit filter or a friend/colleague that can act as a bullshit filter to help us better describe our work
  • Use the 25 words or less method of describing the show / work

 

Session 8 – Want to perform a show in Bath? What can we do to help?

I called this session to try and help connect people who want to perform in Bath with the right venues and organisations and to share what I know with anyone who was interested.

The key points that came from the discussion were that Bath and Bristol do have bubble and cliques that from the outside can be very hard to penetrate. Theatre Bath is going to look at how we can help with this including potentially re-starting our informal networking nights / tweetups so that people can meet with other theatre makers and get the advice/help/connections that they desperately need.

Also pointed out that there is very little scope for development of new work in Bath or showing of new work. So to address this we’re going to look at potentially starting scratch nights so that anyone wishing to show work and get feedback on it from audiences or other professionals locally have a platform from which to do this.

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Closing Thoughts for Day 2

Usually at the end of D&D I feel exhausted and emotional. Today I felt empowered and ready to take on the world. The power of openspace and the ability to connect with so many people on an open playing field is empowering and beautiful.

I’ve spent the last two days walking around the space smiling at strangers, them smiling back and saying hello to lots of different people. I became very aware as I left the circle this evening and headed to catch a train that the feeling of open space didn’t exist in the world that I’d just stepped back into. The reality of walking up the approach to Temple Meads Station and for a moment forgetting that the people milling around me going about their daily lives don’t yet contain the open space magic that the rest of us get to take away with us. I forgot for a moment that if you smile at normal people sometimes they don’t react in the same way as they do in open space. I got some very weird looks from those loitering outside the station as I began adjusting back to the real world but still smiling madly at them. It just reminded me that we’ve got more work to do yet and that we need to spread the open space magic a little wider. Am I going to stop smiling madly at strangers… occasionally saying hello… not a bloody chance. We are all responsible for creating a change and being the change that we want to see in the world. Open space has again re-ignited something within me that I can now keep and take forward in a positive way and implement in the work that I do in the future. From small acorns grow mighty oaks and all that.

I can’t wait to see what the final day brings and I look forward to it with a heightened sense of optimism that things can change and be made better.

Until tomorrow.

 

Contact / Social Media:

Personal Twitter: @LukeJohnEmmett    –   Website: www.lukejohnemmett.co.uk

Theatre Bath @TheatreBath    –   Facebook: www.facebook.com/theatrebath

Theatre Bath Bus: @TheatreBus

 

Email: info@theatrebath.co.uk    –   mail@lukejohnemmett.co.uk

Reflections on Ron Moody and the power of performance

I was really saddened to hear of the death of Ron Moody today and it got me thinking about the impact that people have on our lives. People who we don’t know personally and have no real connection with but still you feel a shared sense of grief that they are gone.

The reason, I think, is that they are a part of our lives and played a huge part in our childhoods and are deeply rooted in the feelings that we associate with them, the characters they portrayed and the films that they were in.

There are certain films that we watch as children that have a lasting impression on us and which enable us to better understand the world around us. Who can’t remember watching Bambi, The Land Before Time or the Lion King for the first time (and let’s not even get into Watership Down!) and trying to come to terms with why Bambi or Little Foot would no longer be able to see their mums or why Mufasa was gone. It’s devastatingly harsh but also teaches us a lot about humanity and the frailty and fragility of life. Learning that nothing lasts forever is a tough lesson to learn but seeing these characters, who become our friends, deal with it somehow makes it all okay and allows us to see that actually things aren’t so bad after all and will be alright in the end.

There also films that cast a spell over us Labyrinth, The Dark Crystal, Mary Poppins, Bed Knobs & Broom Sticks, Chitty Chitty Bang Bang, The Chronicles of Narnia, Five Children and It (and so many more) all of which transport us, however briefly, into a world of pure magic and make-believe. Seeing strange characters such as those in Labyrinth and realising it’s actually okay to be different and make your own way in the world, not even thinking why the characters are different just accepting the fact that they are and being okay with that.

How many of you can honestly say that you didn’t feel excited the first time that you heard Peter Pan flew through the nursery window (he FLEW) and then took three normal (okay slightly well-off) children on an epic adventure to Neverland – a place filled with fairies, indians, pirates, lost boys, a maniacal one-handed villain and a crocodile that ticks.

We all love the power of a good story but there is something magical and inspiring about seeing those stories bought to life for us to see and experience.

For me I immediately had an image of Oliver! and sitting down as a child being captivated by it. Images of Christmas, family, time spent together and the joy that it brings are all closely associated with the news of this one character or person. I feel a personal connection to Oliver! as that was the film that really got me interested in performing. Being young and watching Oliver! you accept it for what it is. You feel for the young orphan boy, you despise Mr Bumble, feel afraid of Bill Sykes, love the fun of Fagin’s Gang and the family led by Nancy & Bett and want to be the Artful Dodger. You want to believe that these characters are real and that they exist and that if you wandered through London’s smoky streets you may stumble upon them and be allowed to join them as they adventure and sing. As you grow up you lose a bit of the magic but learn to respect the actors for their craft and skill in the performances that they give. They are truly masters of their craft.

I felt very similar when I heard that Robin Williams had died. It somehow felt as though a bit of magic, joy and wonder had been lost from the world and that it was perhaps a slightly darker place for not having them in it. But this is not the case – they leave behind them a massive and lasting legacy of great work that can be revisited and enjoyed time and time again. That’s the beauty of the gift that they were able to offer to us and share with us.  A gift that will continue to be shared by future generations.

And this is why theatre and film are essential art forms and should be deeply embedded in young people’s lives from an early age. As humans we need to experience these things and we need young people to be inspired by incredibly talented actors like Robin Williams and Ron Moody. The beauty of what they did for us was to create characters that we all loved,  characters we felt for, characters that we associate with. They did this with apparent ease and created a lasting impact on us. They may be gone but they will never be forgotten for the great gifts that they gave us. Their lives and souls were laid bare in front of us and they welcomed us in to become part of their worlds with open arms.

The arts are an integral part of growing up. For a lot of children the first live experience they will have is of a pantomime at Christmas and love or loathe them they do at their most basic level teach us about morality and the tales do have lessons embedded somewhere deep at the heart of them. In Bath we’re incredibly lucky to have the egg theatre and a whole host of different theatre schools which allow access to the arts for all ages.

We need our stories and our storytellers and those unique human beings who possess the magic to bring these tales to life for us. They are deeply embedded in our lives, in our souls and in our culture and I for one would like to say thank you for the laughter, thank you for the drama, thank you for the entertainment, thank you for the tears and emotions, thank you for bringing joy to millions of people and thank you for giving yourselves to us and forever holding a place in our hearts.

Dear Prime Minister… #ArtsFightBack

I haven’t performed in many years, it wasn’t a conscious choice but it simply did not fit around working professionally in the industry. 

I miss the stage and performing and I feel that it’s time to come back out of hiding backstage and become more than a few carefully written words on a blog page. I can no longer sit in the background being just another disgruntled voice. It’s time to make a stand and be counted. So here is my first “performance” piece for many years.

Written fairly quickly today, the words were swimming around in my head from the moment I opened my eyes and I knew that they had to be written down. But that wasn’t enough, seeing them sitting there on the page before me, these words demanded to be spoken, to be given a voice,  my voice. I just hope I do them justice.

Over the last few days since the results of the election I have felt many things; anger, lost, fear, bewilderment and an overwhelming dark and foreboding feeling of discontent. I took a break from Facebook to try to escape the torrents of negativity…. but still there was a feeling inside me that I just could not shift. I realised I needed to express these fears in the only way that I know how.

So here is my reaction to Britain turning blue…

 

 

Dear Prime Minister,

A message from me to you. From us at the bottom who seek to imbue. From voices unheard, speaking words not blue, for those you forgot as your parliament grew.

This is not just an impassioned plea from a minority, we’re part of the 63% who don’t agree. The 63% that stand for common decency, a 63% who see others living in poverty as the food banks rise but are lost from the media’s deceitful eyes, ignored by the Westminster lies, covered up by the media that we buy. An inconvenience that you refuse to see is the result of your battering of the poorest in society.

You don’t speak for us but listen please. Zero hours contracts aren’t helping the economy, how can people expect stability when their pay and their hours don’t match their abilities and the cost, living life in uncertainty.

Education is not a privilege for the few, it’s the right of everyone. A chance to grow, to experience the world anew. Forcing students into spiralling debt, before they’re even employed and receive their first pay-cheques. Minds that are young and keen to grow, to progress with their lives to expand their minds and learn. Failed by you, the elitist few who look after your own and don’t have a clue.

And what about the vulnerable? The weak not the strong. Who depend on support and help to live their lives and get along? Disability is not a crime, not another section of society that will go away and disappear with time. 12 billion worth of cuts is the price we will pay. Leaving the poorest with nothing but an unfortunate fate. For trying to live, to survive in a system filled with prejudice and hate. How many more must die before you open your eyes to see, do we need to pile up the bodies of those lost in your big society? Your hands are stained with blood of the innocent dead who cannot survive in a world fuelled by your greedy and malevolent lies.

Cuts to our public services, the police, fire fighters and let’s not forget the nurses. But hey, when all the police have gone you’ll bring in private companies like G4S and let them carry on.

Cuts to social care effecting our elderly, you may have forgotten but I haven’t they all fought for me.  For us, for a future where their kids would be free. How can it be just to take away the services which near the end of their lives mean that they can no longer live with dignity?

And people who suffer from mental health, left out in the cold to look after themselves. They don’t fit into the boxes of the Britain you’re making, “mental health’s not an issue the scroungers are faking!” How can you force us to believe it is just, mental health’s a real issue that must be discussed.

Scrapping the Human Rights Act and keeping TTIP. Letting large corporations and businesses run our public facilities. All done in secret to keep us from knowing, the profits of your rich friends will carry on growing. Introducing a British Bill of Rights, separate from Europe that will keep us locked up tight.

But who needs the right to life, the right not to be tortured or treated in an inhumane or degrading way. The right to be free from slavery of forced labour, the right to liberty, the right to a fair trial, the right not to be punished for something which wasn’t against the law at the time, the right to respect for private and family life, home and correspondence. The right to freedom of thought, conscience and religion. The right to freedom of expression. The right to freedom of assembly and association. The right to marry and found a family. The right not to be discriminated against in relation to any of the rights found in the human rights act. The right to peaceful enjoyment of possessions. The right to education. The right to free elections and the abolition of the death penalty…

Michael Gove, the new Justice Secretary, in 1997 said he wanted to bring back hanging. Stop and think about what you are doing and the lives of us, the people with which you are screwing.

There is a saying that our words are our weapons and our pens are our swords, our voices will unite, to fight, to try and make amends. Our messages will echo through your privileged halls, the words of the prophets etched into your walls. We stand for the voices that you fail to hear, for those living in poverty, despair and fear.

And we promise you this we won’t go away. Our art will become stronger and it will be us that lead the way. To save the country that we love from being your prey. Even the darkest of nights lead to a brighter new day. From the ashes of a country which you seek to decimate like a phoenix we will rise and open the floodgates. Our voices as one will sing once more in song, our theatres will be full because united we are strong. Our theatres are much more than buildings with walls, they are communities of people all standing tall, side by side with glimmers of hope and not fear in our eyes.

 

Dear Prime Minister please don’t relax and sit back… because the artists are speaking, and the arts will fight back!

 

Copyright  © Luke John Emmett 2015.

 

For more information about the Arts Fight Back get over to Twitter and search for the hashtag #ArtsFightBack